|
|
![]() |
R.A.Vowles was a brilliant bird
illustrator who painted both canaries and budgerigars for magazines and
bird clubs in the 1930s and 1940s. **
So far, I have been unable to find little personal information on Vowles: where he came from? When he lived? I would be grateful to hear from anyone who has original watercolours and artwork by him, or who knows anything about his family. There appears to be another illustrator named 'Vowles' who did ornithology illustration on the birds of Africa and India. This person may be the son or daughter of R.A.Vowles; it is a very uncommon name in Britain, so I hope someone can come forward with useful information? |
|
|
| We do not know whether Vowles was a bird-keeper
or just a commercial artist commissioned to produce images of winning
birds.
It seems likely that he knew a great deal about budgerigars and
canaries
since he was asked to prepare the image of the Official Technical
Standard
used by judges at shows in the 1940s - 1950s (?). This is a very important issue because (in my view) - if these images of budgerigars really do reflect the way that champion-birds were at the time, then the Fancy has suffered a catastrophic decline in standards. My personal recollections from the 1950s, was that the colours and form of Vowles's prints accurately reflects the way that the birds really looked in those days. |
![]() |
|
|
![]() |
My recollection of budgerigars in the late 1950s
is that they were as tight feathered and clean-lined as Vowles
recorded
them in paint. The colours were deeper, more intense and vibrant.
Plumage
was smooth and tight. Mask-spots were as round and black as drill-holes
and the birds stood well clear of the perch.
Nests of six to eight healthy chicks were common and fertility was rarely a problem. It is hard to believe that the 'champions' I have seen at modern shows are the same species as those which Vowles recorded in his superb watercolours. |
|
|
|
|
|
|
|